Guzheng
I have studied Guzheng since I was eight years old. The instrument draws me because it demands both technical precision and emotional openness — you cannot play it well by doing only one. Over the years, I have learned that performance is not about showing ability; it is about sharing something real with the people who are listening.
Featured Performance
High Mountains and Flowing Water
One of the most important pieces in the Guzheng repertoire, High Mountains and Flowing Water expresses the ancient idea of finding a true friend who understands your music. Performing it at the Lunar New Year Celebration felt like honouring both the tradition and the community.
Training Summary
Performance History
| Piece | Tradition | Event | Year | Format |
|---|---|---|---|---|
| High Mountains and Flowing Water | Traditional Chinese | Lunar New Year Cultural Celebration | 2025 | Solo |
| Spring River Flower Moon Night | Traditional Chinese | Senior Centre Music Visit | 2024 | Solo |
| Erta Mektige (Lilac Vine Flower) | Contemporary Chinese | Semiahmoo Arts Night | 2024 | Solo |
| Jasmine Flower | Chinese Folk | Multicultural Heritage Festival | 2023 | Solo |
| Fishing Boat Sings at Dusk | Traditional Chinese | Multicultural Heritage Festival | 2023 | Solo |
| War Horses Galloping | Contemporary Chinese | Year-End Recital | 2023 | Solo |
| Autumn Moon over the Calm Lake | Traditional Cantonese | Community Cultural Event | 2022 | Solo |
Performing for community audiences feels different from practising alone. In practice, I work on technique. On stage, technique has to disappear — what remains is the music and the connection with the people listening. The most meaningful performances are the ones where I forget about myself and focus entirely on the sound reaching the audience.
— On performing