How I Work

In Art

I work mostly in oil and watercolour, and sometimes charcoal for studies. I am interested in light — how it changes the colour of ordinary things and how a shadow can tell you as much as the object itself. I paint slowly, often returning to the same subject until I understand it better.

In Music

Guzheng requires a combination of technical precision and emotional expression. I study repertoire from both the traditional Chinese canon and contemporary works. Playing an instrument with a 2,500-year history gives me a sense of continuity — I am part of something much larger than myself.

In Community

I believe that creative work becomes more meaningful when it is shared. I have performed Guzheng at cultural events, senior centres, and school showcases. Each audience teaches me something different about what music can do for people.

What Influences Me

A few artists, ideas, and experiences that have shaped how I see and think.

  • ArtistVilhelm Hammershøi — his quiet interiors taught me that simplicity can hold immense depth
  • ExhibitionThe Vancouver Art Gallery's Emily Carr collection — seeing how place shapes practice
  • Musical TraditionClassical Guzheng repertoire — pieces like High Mountains and Flowing Water connect technique with philosophy
  • IdeaThe concept of "slow looking" — spending more time with fewer things to see them more clearly
  • MentorMy Guzheng teacher, who showed me that discipline and expression are not opposites

At university, I want to keep developing both my visual art and my musicianship. I am interested in how art and music overlap — in the way both require patience, observation, and the willingness to sit with something until it reveals itself. I do not know exactly what shape my studies will take, but I know I want to be in a place that values careful thinking and creative discipline equally.

— Looking Ahead